Category Archives: Renaissance Science

400 Years of The Third Law–An overlooked and neglected revolution in astronomy

Four hundred years ago today Johannes Kepler rediscovered his most important contribution to the evolution of astronomy, his third law of planetary motion.

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Portrait of Johannes Kepler 1610 by unknown artist. Source: Wikimedia Commons

He had originally discovered it two months earlier on 8 March but due to a calculation error rejected it. On 15 May he found it again and this time recognised that it was correct. He immediately added it to his Harmonices Mundi:

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For when the true distances between the spheres were found, through the observations of Brahe, by continuous toil for a very long time, at last, at last, the genuine proportion of the periodic times to the proportion of the spheres –

Only at long last did she look back at him as she lay motionless,

But she look back and after a long time she came [Vergil, Eclogue I, 27 and 29.]

And if you want the exact moment in time, it was conceived mentally on the 8th of March in this year one thousand six hundred and eighteen, but submitted to calculation in an unlucky way, and therefore rejected as false, and finally returning on the 15th of May and adopting a new line of attack, stormed the darkness of my mind. So strong was the support from the combination of my labor of seventeen years on the observations of Brahe and the present study, which conspired together, that at first I believed I was dreaming, and assuming my conclusion among my basic premises. But it is absolutely exact that proportion between the periodic times of any two planets is precisely the sesquialterate[1] proportion of their mean distances, that is of the actual spheres, though with this in mind, that the arithmetic mean between the two diameters of the elliptical orbit is a little less than the longer diameter. Thus if one takes one third of the proportion from the period, for example, of the Earth, which is one year, and the same from the period of Saturn, thirty years, that is, the cube roots, and one double that proportion, by squaring the roots, he has in the resulting numbers the exactly correct proportion of the mean distances of the Earth and Saturn from the Sun.[2]

writing a few days later:

Now, because eighteen months ago the first dawn, three months ago the broad daylight, but a very few days ago the full sun of a most remarkable spectacle has risen, nothing holds me back. Indeed, I give myself up to a sacred frenzy.

He finished the book on 27 May although the printing would take a year.

In modern terminology:

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The square of the orbital period of a planet is directly proportional to the cube of the semi-major axis of its orbit: i.e. for two planets with P = orbital period and R = semi-major axis P12/P22=R13/R23

Kepler’s third law is probably the most important discovery on the way to the establishment of a heliocentric astronomy but its importance was initially overlooked and its implications were somehow neglected until Isaac Newton displayed its significance in his Principia Mathematica, published in 1687 sixty-eight years after the third law first appeared in print.

What the third law gives us is a direct mathematical relationship between the size of the orbits of the planets and their duration, which only works in a heliocentric system. In fact as we will see later it’s actually equivalent to the law of gravity. There is nothing comparable for either a full geocentric system or for a geo-heliocentric Tychonic or semi-Tychonic system. It should have hit the early seventeenth-century astronomical community like a bomb but it didn’t, which raises the question why it didn’t.

The main answer lies in Kepler’s own writings. Although he viewed its discovery as the crowning glory of his work on the Harmonices Mundi Kepler didn’t give it any prominence in that work. The Harmonices Mundi is a vast sprawling book explicating Kepler’s version of the Pythagorean theory of the harmony of the spheres in five books. After four introductory books covering plane geometry, music theory and astrology Kepler gets down to harmonic planetary theory in the fifth and final book. Book V, 109 pages in the English translations, contains lots of musical relationships between various aspects of the planetary orbits, with the third law presented as just one amongst the many with no particular emphasis. The third law was buried in what is now regarded as a load of unscientific dross. Or as Carola Baumgardt puts it, somewhat more positively,  in her Johannes Kepler life and letters (Philosophical Library, 1951, p. 124):

Kepler’s aspirations, however, go even much higher than those of modern scientific astronomy. As he tried to do in his “Mysterium Cosmographicum” he coupled in his “Harmonice Mundi” the precise mathematical results of his investigations with an enormous wealth of metaphysical, poetical, religious and even historical speculations. 

Although most of Kepler’s contemporaries would have viewed his theories with more sympathy than his modern critics the chances of anybody recognising the significance of the harmony law for heliocentric astronomical theory were fairly minimal.

The third law reappeared in 1620 in the second part of Kepler’s Epitome Astronomiae Copernicanae, a textbook of heliocentric astronomy written in the form of a question and answer dialogue between a student and a teacher.

How is the ratio of the periodic times, which you have assigned to the mobile bodies, related to the aforesaid ratio of the spheres wherein, those bodies are borne?

The ration of the times is not equal to the ratio of the spheres, but greater than it, and in the primary planets exactly the ratio of the 3/2th powers. That is to say, if you take the cube roots of the 30 years of Saturn and the 12 years of Jupiter and square them, the true ration of the spheres of Saturn and Jupiter will exist in those squares. This is the case even if you compare spheres that are not next to each other. For example, Saturn takes 30 years; the Earth takes one year. The cube root of 30 is approximately 3.11. But the cube root of 1 is 1. The squares of these roots are 9.672 and 1. Therefore the sphere of Saturn is to the sphere of the Earth as 9.672 is to 1,000. And a more accurate number will be produced, if you take the times more accurately.[3]

Here the third law is not buried in a heap of irrelevance but it is not emphasised in the way it should be. If Kepler had presented the third law as a table of the values of the orbit radiuses and the orbital times and their mathematical relationship, as below[4], or as a graph maybe people would have recognised its significance. However he never did and so it was a long time before the full impact of the third law was felt in astronomical community.

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The real revelation of the significance of the third law came first with Newton’s Principia Mathematica. By the time Newton wrote his great work the empirical truth of Kepler’s third law had been accepted and Newton uses this to establish the empirical truth of the law of gravity.

In Book I of Principia, the mathematics and physics section, Newton first shows, in Proposition 11[5], that for a body revolving on an ellipse the law of the centripetal force tending towards a focus of the ellipse is inversely as the square of the distance: i.e. the law of gravity but Newton is not calling it that at this point. In Proposition 14[6] he then shows that, If several bodies revolve about a common center and the centripetal force is inversely as the square of the distance of places from the center, I say that the principal latera recta of the orbits are as the squares of the areas which bodies describe in the same time by radii drawn to the center. And Proposition 15[7]: Under the same supposition as in prop. 14, I say the square of the periodic times in ellipses are as the cubes of the major axes. Thus Newton shows that his law of gravity and Kepler’s third law are equivalent, although in this whole section where he deals mathematically with Kepler’s three laws of planetary motion he never once mentions Kepler by name.

Having established the equivalence, in Book III of The Principia: The System of the World Newton now uses the empirical proof of Kepler’s third law to establish the empirical truth of the law of gravity[8]. Phenomena 1: The circumjovial planets, by radii drawn to the center of Jupiter, describe areas proportional to the times, and their periodic times—the fixed stars being et rest—are as 3/2 powers of their distances from that center. Phenomena 2: The circumsaturnian planets, by radii drawn to the center of Saturn, describe areas proportional to the times, and their periodic times—the fixed stars being et rest—are as 3/2 powers of their distances from that center. Phenomena 3: The orbits of the five primary planets—Mercury, Venus, Mars, Jupiter, and Saturn—encircle the sun. Phenomena 4: The periodic times of the five primary planets and of either the sun about the earth or the earth about the sun—the fixed stars being at rest—are as the 3/2 powers of their mean distances from the sun. “This proportion, which was found by Kepler, is accepted by everyone.”

Proposition 1: The forces by which the circumjovial planets are continually drawn away from rectilinear motions and are maintained in their respective orbits are directed to the center of Jupiter and are inversely as the squares of the distances of their places from that center. “The same is to be understood for the planets that are Saturn’s companions.” As proof he references the respective phenomena from Book I. Proposition 2: The forces by which the primary planets are continually drawn away from rectilinear motions and are maintained in their respective orbits are directed to the sun and are inversely as the squares of the distances of their places from its center. As proof he references the respective phenomenon from Book I:

One of the ironies of the history of astronomy is that the general acceptance of a heliocentric system by the time Newton wrote his Principia was largely as a consequence of Kepler’s Tabulae Rudolphinae the accuracy of which convinced people of the correctness of Kepler’s heliocentric system and not the much more important third taw of planetary motion.

[1] Sesquialterate means one and a half times or 3/2

[2] The Harmony of the World by Johannes Kepler, Translated into English with an Introduction and Notes by E.J. Aiton, A.M. Duncan & J.V. Field, Memoirs of the American Philosophical Society Held at Philadelphia for Promoting Useful Knowledge, Volume 209, 1997 pp. 411-412

[3] Johannes Kepler, Epitome of Copernican Astronomy & Harmonies of the World, Translated by Charles Glenn Wallis, Prometheus Books, New York, 1995 p. 48

[4] Table taken from C.M. Linton, From Eudoxus to Einstein: A History of Mathematical Astronomy, CUP, Cambridge etc., 2004 p. 198

[5] Isaac Newton, The Principia: Mathematical Principles of Natural Philosophy, A New Translation by I: Bernard Cohen and Anne Whitman assisted by Julia Budenz, Preceded by A Guide to Newton’s Principia, by I. Bernard Cohen, University of California Press, Berkley, Los Angeles, London, 1999 p. 462

[6] Newton, Principia, 1999 p. 467

[7] Newton, Principia, 1999 p. 468

[8] Newton, Principia, 1999 pp. 797–802

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Filed under History of Astronomy, History of science, Newton, Renaissance Science, Uncategorized

Who cares about facts? – Make up your own, it’s much more fun!

Math Horizons is a magazine published by Taylor & Francis for the Mathematical Association of America aimed at undergraduates interested in mathematics: It publishes expository articles about “beautiful mathematics” as well as articles about the culture of mathematics covering mathematical people, institutions, humor, games, cartoons, and book reviews. (Description taken from Wikipedia, which attributes it to the Math Horizons instructions for authors January 3 2009). Apparently, however, authors are not expected to adhere to historical facts, they can, it seems, make up any old crap.

The latest edition of Math Horizons (Volume 25, Issue 3, February 2018) contains an article by a Stephen Luecking entitled Albrecht Dürer’s Celestial Geometry. As I am currently, for other reasons, refreshing my knowledge of Albrecht the mathematician I thought, oh that looks interesting I must read that. I wish I hadn’t.

Luecking’s sub-title seems innocent enough: Renaissance artist Albrecht Dürer designed a specialty compass for astronomical drawings, but when you read the article you discover that Luecking says an awful lot more and most of it is hogwash. What does he have to say?

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Albrecht Dürer Self-Portrait 1500 Source: Wikimedia Commons

Albrecht Dürer (1471–1528), noted Renaissance printer and painter, twice left his native Germany for sojourns to Italy, once from 1494 to 1495 and again from 1505 to 1507. During those years his wide-ranging intellect absorbed the culture and thinking of noted artists and mathematicians. Perhaps the most important
 outcome of these journeys was his
introduction to scientific methods. 
His embrace of these methods
 went on to condition his thinking 
for the rest of his life. 


So far so good. However what Dürer absorbed on those journeys to Italy was not scientific methods but linear perspective, the mathematical method, developed in Northern Italy in the fifteenth century, to enable artists to represent three dimensional reality realistically in a two dimensional picture. Dürer played a significant role in distributing these mathematical techniques in Europe north of the Alps. His obsession with mathematics in art led to him developing the theory that the secret of beauty lay in mathematical proportion to which de devoted a large part of the rest of his life. He published the results of his endeavours in his four-volume book on human proportions, Vier Bücher von Menschlicher Proportion, in the year of his death, 1528.

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Title page of Vier Bücher von menschlicher Proportion showing the monogram signature of artist Source: Wikimedia Commons

If Dürer wanted to learn scientific methods, by which, as we will see Luecking means astronomy, he could and probably did learn them at home in Nürnberg. Dürer was part of the humanist circle of Willibald Pirckheimer, he close friend and patron.

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Engraving of Willibald Pirckheimer at 53 by Albrecht Dürer, 1524. We live by the spirit. The rest belongs to death. Source: Wikimedia Commons

Franconian houses are built around a courtyard; Dürer was born in the rear building of the Pirckheimer house on the market square in Nürnberg. Although his parents bought their own house a few years later Albrecht and Willibald remained close friends and possibly even lovers all of their lives. Pirckheimer was a big supporter of the mathematical sciences—astronomy, mathematics, cartography and astrology—and his circle included, amongst others, Johannes Stabius, Johannes Werner, Erhard Etzlaub, Georg Hartmann, Konrad Heinfogel and Johannes Schöner all of whom were either astronomers, mathematicians, cartographers, instrument makers or globe makers some of them all five and all of them friends of Dürer.

Next up Luecking tells us:

One notable
consequence was Dürer’s abandonment of astrological subject
matter—a big seller for a printer
and publisher such as himself—in favor of astronomy.

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Albrecht Dürer Syphilis 1496 Syphilis was believed to have an astrological cause Source: Wikimedia Commons

Luecking offers no evidence or references for this claim, so I could offer none in saying that it is total rubbish, which it is. However I will give one example that shows that Albrecht Dürer was still interested in astrology in 1517. Lorenz Beheim (1457–1521) was a humanist, astrologer, physician and alchemist, who was a canon of the foundation of the St Stephan Church in Bamberg, he was a close friend of both Pirckheimer and Dürer and corresponded regularly with Pirckheimer. In a letter from 8 December 1517 he informed Pirckheimer that Johannes Schöner was coming to Nürnberg with printed celestial globes that could be used for astrology, which if his wished could be acquired by him and Albrecht Dürer. He would not have passed on the information if he thought that they wouldn’t be interested. Beheim also cast horoscopes for both Pirckheimer and Dürer.

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Gores for Johannes Schöner’s Celestial Globe 1517  Source: Hans Gaab, Die Sterne Über Nürnberg: Albrecht Dürer und seine Himmelskarten von 1515, Nürnberger Astronomische Gesellschaft, Michael Imhof Verlag, 2015 p. 115

 

Next up Luecking starts, as he means to go on, with pure poppycock. All of the above Nürnberger mathematician, who all played significant roles in Dürer’s life, were of course practicing astrologers.

Astronomy was not to be a casual interest. Just before his second trip to Italy, Dürer published De scientia motus orbis, a cosmological treatise by the Persian Jewish astronomer Masha’Allah ibn Atharī (ca. 740–815 CE). Since Masha’Allah wrote the treatise for laymen and included ample illustrations, it was a good choice for introducing Europeans to Arabic astronomy.

The claim that Dürer published Masha’Allah’s De scientia motus orbis is so mind bogglingly wrong anybody with any knowledge of the subject would immediately stop reading the article, as it is obviously a complete waste of time and effort. The book was actually edited and published by Johannes Stabius and printed by Weissenburger in Nürnberg in 1504.

The woodcut illustrations came from the workshop of Albrecht Dürer, but probably not from Dürer himself. There were traditionally attributed to Hans Süß von Kulmbach (1480–1522), one of Dürer’s assistants, who went on to become a successful painter in his own right, but modern research has shown that Süß didn’t move to Nürnberg until 1505, a year after the book was published.

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Hans Süß portrait  Source: Wikimedia Commons

Although Luecking wants Masha’Allah to be an astronomer he was in fact a very famous astrologer, who amongst other things cast the horoscope for the founding of Bagdad. De scientia motus orbis is indeed a book on Aristotelian cosmology and physics but it includes his theory that there are ten heavenly spheres not eight as claimed by Aristotle. His extra heavenly spheres play a significant role in his astrological theories. It is very common practice for astrologers, starting with Ptolemaeus, to publish their astronomy and astrology in separate books but they are seen as complimentary volumes. From their beginnings in ancient Babylon down to the middle of the seventeenth century astronomy and astrology were always seen as two sides of the same coin.

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Title page De scientia motus orbis Although this woodcut is usually titled The Astronomer I personally think the figure looks more like an astrologer Source: Wikimedia Commons

In 1509 Dürer purchased the entire library of Regiomontanus (1436–1476 CE) from the estate of Nuremberg businessman Bernhard Walther. Regiomontanus was Europe’s leading astronomer,
a noted mathematician, and a designer of astronomical instruments. Walther had sponsored Regiomontanus’s residency in Nuremberg between 1471 and 1475. Part of Walther’s largesse was to provide a print shop from which Regiomontanus published the world’s first scientific texts ever printed.

Regiomontanus was of course first and foremost an astrologer and most of those first scientific texts that he published in Nürnberg were astrological texts. Walther did not sponsor Regiomontanus’ residency in Nürnberg but was his colleague and student in his endeavours in the city. An analysis of Walther’s astronomical observation activities in Nürnberg after Regiomontanus’ death show that he too was an astrologer rather than an astronomer. When Regiomontanus came to Nürnberg he brought a very large number of manuscripts with him, intending to edit and publish them. When he died these passed into Walther’s possession, who added new books and manuscripts to the collection. The story of what happened to this scientific treasure when Walther died in 1504 is long and very complicated. In fact Dürer bought not “the entire library” but a mere ten manuscripts not when he bought Walther’s house, the famous Albrecht Dürer House, in 1509 but first in 1522.

In 1515, Dürer and Austrian cartographer and mathematician Johannes Stabius produced the first map of the world portraying the earth as a sphere.

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Johannes Statius portrait by Albrecht Dürer Source: Wikimedia Commons

The Stabius-Dürer world map was not “the first map of the world portraying the earth as a sphere”. The earliest know printed world map portraying the earth as a sphere is a woodcut in a Buchlein über die Kunst Corsmographia, (Booklet about the Art of Cosmographia) published in Nürnberg in about 1490. There are others that predate the Stabius-Dürer map most notably on the title page of Waldseemüller’s Die Welt Kugel (The Earth Sphere) published in Straßburg in 1509.

There are no surviving copies of the Stabius-Dürer world map from the sixteenth century so we don’t actually know what it was produced for. The woodblocks survived and were rediscovered in the 18th century.

It is however dedicated to both the Emperor Maximilian, Stabius’s employer who granted the printing licence, and Cardinal Matthäus Lang, so it might well have been commissioned by the latter. Lang commissioned the account of Magellan’s circumnavigation on which Schöner based his world map of that circumnavigation.

Afterward, Stabius proposed continuing their collaboration by publishing a star map—the first such map published in Europe. Their work relied heavily on data assembled by Regiomontanus, plus refinements from Walther.

It will probably not surprise you to discover that this was not “the first such map published in Europe. It’s the first printed one but there are earlier manuscript ones, two of which from 1435 in Vienna and 1503 in Nürnberg probably served as models for the Stabius–Dürer–Heinfogel one. Their work did not rely “heavily on data assembled by Regiomontanus, plus refinements from Walther” but was based on Ptolemaeus’ star catalogue from the Almagest. There is a historical problem in that there was not printed copy of that star catalogue available at the time so they probably work from one or more manuscripts and we don’t know which one(s). The star map contains the same dedications to Maximilian and Lang as the world map so one again might have been a commission from Lang, Stabius acting as the commissioning agent. Stabius and Lang studied together at the University of Ingolstadt.

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Stabs-Dürer-Heinfogel Star Map Northern Hemisphere Source: Ian Ridpath’s Star Tales

For more details on the star maps go here

The star map required imprinting the three- dimensional dome of the heavens onto a two- dimensional surface without extreme distortions, a task that fell to Stabius. He used a stereographic projection. In this method, rays originate at the pole in the opposite hemisphere, pass through a given point in the hemisphere, and yield a point on a circular surface.

You will note that I have included the name of Konrad Heinfogel to the producers of the map and it was actually he, and not Stabius, who was responsible for the projection of the map and the location of the individual stars. In fact in this project Johannes Stabius as commissioning agent was project leader, Konrad Heinfogel was the astronomical expert and Albrecht Dürer was the graphic artist hired to draw the illustration. Does one really have to point out that in the sixteenth century star maps were as much, if not more, for astrologers than for astronomers.

Luecking now goes off on an excurse about the history of stereographic projection, which ends with the following paragraph.

As the son of a goldsmith, Dürer’s exposure to stereographic projection would have been by way of the many astrolabes being fabricated in Nuremburg, then Europe’s major center for instrument makers. As the 16th century moved on, the market grew for such scientific objects as astrology slipped into astronomy. Handcrafted brass instruments, however, were affordable only to the wealthy, whereas printed items like the Dürer-Stabius maps reached a wider market.

Nürnberg was indeed the major European centre for the manufacture of scientific instruments during Dürer’s lifetime but scientific instrument makers and goldsmiths are two distinct professional groups, so Luecking’s argument falls rather flat, although of course Dürer would have well acquainted with the astrolabes made by his mathematical friends. Astrolabes are of course both astrological and astronomical instruments and astrology did not slip into astronomy during the 16th century. In fact the 16th century is regarded by historians as the golden age of astrology.

There now follows another excurse on the epicycle-deferent model of planetary orbits as a lead up to the articles thrilling conclusion.

In his 1525 book Die Messerung (On Measurement), Dürer presents an instrument of his own design used to draw these and other more general curves. This compass for drawing circles upon circles consisted of four telescoping arms and calibrated dials. An arm attached to the first dial could rotate in a full circle, a second arm fixed to another dial mounted on the end of this first arm could rotate around the end of the first arm, and so on.

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Dürer’s four arm compass

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Underweysung der Messung mit dem Zirkel und Richtscheyt Title Page

The title of Dürer’ 1525 book is actually Underweysung der Messung mit dem Zirckel und Richtscheyt (Instructions for Measuring with Compass and Straightedge). It is a basic introduction to geometry and its applications, which Dürer wrote when he realised that his Vier Bücher von Menschlicher Proportion was too advanced for the artist apprentices that he thought should read it. The idea was first read and digest the Underweysung then read the Vier Bücher von Menschlicher Proportion.

Luecking tells us that:

As a trained metalsmith, Dürer possessed the expertise to craft this complex tool. Precision calibration and adjustable arms allowed its user to plot an endless number of curves by setting the length of each telescoping arm and determining the rate at which the arms turned. This, in effect, constituted manual programming by setting the parameters of each curve plotted.

As a teenager Dürer did indeed serve an apprenticeship under his father as a goldsmith, but immediately on completing that apprenticeship he undertook a second apprenticeship as a painter with Michael Wolgemut from 1486 to 1490 and dedicated his life to painting and fine art printing. Luecking has already correctly stated that Nürnberg was the major European centre for scientific instrument making and Dürer almost certainly got one of those instrument makers to produce his multi-armed compass. Luecking describes the use to which Dürer put this instrument in drawing complex geometrical curves. He then goes on to claim that Dürer might actually have constructed it to draw the looping planetary orbits produced by the epicycle-deferent model. There is absolutely no evidence for this in the Underweysung and Luecking’s speculation is simple pulled out of thin air.

To summarise for those at the back who haven’t been paying attention. Dürer did not absorb scientific methods in Italy. He did not abandon astrology for astronomy. He didn’t publish Masha’Allah’s De scientia motus orbis, Johannes Stabius did. Dürer only bought ten of Regiomontanus’ manuscripts and not his entire library. The Stabius-Dürer world map was not “the first map of the world portraying the earth as a sphere”. The Stabius–Dürer–Heinfogel star charts were the first star-charts printed in Europe but by no means the first ones published. Star charts are as much astrological, as they are astronomical. Astrology did not slip into astronomy in the 16th century, which was rather the golden age of astrology. There is absolutely no evidence that Dürer’s multi-arm compass, as illustrated in his geometry book the Underweysung, was ever conceived for drawing the looping orbits of epicycle-deferent planetary models, let alone used for this purpose.

It comes as no surprise that Stephen Luecking is not a historian of mathematics or art for that matter. He is the aged (83), retired chairman of the art department of DePaul University in Chicago.

Whenever I come across an article as terrible as this one published by a leading scientific publisher in a journal from a major mathematical organisation such as the MAA I cringe. I ask myself if the commissioning editor even bothered to read the article; it was certainly not put out to peer review, as any knowledgeable Dürer expert would have projected it in an elegant geometrical curve into his trashcan. Above all I worry about the innocent undergraduates who are subjected to this absolute crap.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Filed under History of Astrology, History of Astronomy, History of Mathematics, Renaissance Science

Conversations in a sixteenth century prison cell

Science writer Michael Brooks has thought up a delightful conceit for his latest book.* The narrative takes place in a sixteenth century prison cell in Bologna in the form of a conversation between a twenty-first century quantum physicist (the author) and a Renaissance polymath. What makes this conversation particularly spicy is that the Renaissance polymath is physician, biologist, chemist, mathematician, astronomer, astrologer, philosopher, inventor, writer, auto-biographer, gambler and scoundrel Girolamo Cardano, although Brooks calls him by the English translation of his name Jerome. In case anybody is wondering why I listed autobiographer separately after writer, it is because Jerome was a pioneer in the field writing what is probably the first autobiography by a mathematician/astronomer/etc. in the Early Modern Period.

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Portrait of Cardano on display at the School of Mathematics and Statistics, University of St Andrews. Source: Wikimedia Commons

So what do our unlikely pair talk about? We gets fragments of conversation about Jerome’s current situation; a broken old man rotting away the end of his more than extraordinary life in a prison cell with very little chance of reprieve. This leads to the visitor from the future, relating episodes out of that extraordinary life. The visitor also picks up some of Jerome’s seemingly more strange beliefs and relates them to some of the equally, seemingly strange phenomena of quantum mechanics. But why should anyone link the misadventures of an, albeit brilliant, Renaissance miscreant to quantum mechanics. Because our author sees Jerome the mathematician, and he was a brilliant one, as the great-great-great-great-great-great-great-great-great-great-great-great-great grandfather of quantum mechanics!

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As most people know quantum mechanics is largely non-deterministic in the conventional sense and relies heavily on probability theory for its results. Jerome wrote the first mathematical tome on probability theory, a field he entered because of his professional gambling activities. He even included a section about how to cheat at cards. I said he was a scoundrel. The other thing turns up in his Ars Magna (printed and published by Johannes Petreius the publisher of Copernicus’ De revolutionibus in Nürnberg and often called, by maths historians, the first modern maths book); he was the first person to calculate with so-called imaginary numbers. That’s numbers using ‘i’ the square root of minus one. Jerome didn’t call it ‘i’ or the numbers imaginary, in fact he didn’t like them very much but realised one could use them when determining the roots of cubic equation, so, holding his nose, that is exactly what he did. Like probability theory ‘i’ plays a very major role in quantum mechanics.

What Michael Brooks offers up for his readers is a mixture of history of Renaissance science together with an explanation of many of the weird phenomena and explanations of those phenomena in quantum mechanics. A heady brew but it works; in fact it works wonderfully.

This is not really a history of science book or a modern physics science communications volume but it’s a bit of both served up as science entertainment for the science interested reader, lay or professional. Michael Brooks has a light touch, spiced with some irony and a twinkle in his eyes and he has produced a fine piece of science writing in a pocket-sized book just right for that long train journey, that boring intercontinental flight or for the week in hospital that this reviewer used to read it. If this was a five star reviewing system I would be tempted to give it six.

*  Michael Brooks, The Quantum Astrologer’s Handbook, Scribe, Melbourne & London, 2017

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Filed under Book Reviews, Early Scientific Publishing, History of Astrology, History of Astronomy, History of Physics, Renaissance Science, Uncategorized

Galileo & Roberto

One of the books that I am currently reading is Rob Iliffe’s Priest of Nature: The Religious Worlds of Isaac Newton (a full review will follow when I finish it but I can already say it will be very positive). I stumbled more than somewhat when I read the following:

…and Lucas Trelcatius’s list of some of the most significant places in Scripture, which was composed as a response to the Catholic interpretations of various texts offered by the great scholar (and scourge of Galileo [my emphasis]) Cardinal Robert Bellarmine.

Four words that caused me to draw in my breath, why? Let as first take a look at the meaning of the word scourge:

A scourge was originally a particularly nasty and extremely cruel multi-thong whip. Transferred to describe a person it means: a person that causes great trouble of suffering. Can Robert Bellarmine really be described as “scourge of Galileo”?

Robert Bellarmine (actually Roberto Bellarmino) (1542-1621) was a Jesuit scholar who was specialist for post Tridentine theology, that is the theological teachings of the Catholic Church as laid down as official church doctrine at the Council of Trent (1545-1563. He rose through the ranks to arch-bishop and then cardinal, was professor for theology at the Collegio Romano, the Jesuit University in Rome, and later the universities rector. In the early seventeenth century he was regarded as the leading Catholic authority on theology and as such he was a powerful and highly influential figure in Rome.

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Robert Bellarmine artist unknown Source: Wikimedia Commons

How did Bellarmine’s life interact with that of Galileo? The first contact was very indirect and occurred after Galileo had published his Sidereus Nuncius, making public his telescopic discoveries. Bellarmine inquired of the mathematician astronomers under Clavius’ leadership at the Collegio Romano, whether the discoveries claimed by Galileo were real. Being the first astronomers to confirm those discoveries, Clavius was able to report in the positive.

In 1615 Galileo wrote his Letter to Castelli in which he argued that those Bible passages that contradicted Copernican heliocentricity should be re-interpreted to solve the contradiction. He was stepping into dangerous territory, a mere mathematicus—the lowest of the low in the academic hierarchy—telling the theologians how to interpret the Bible. This was particularly risky, as it was in the middle of the Counter-Reformation given that the Reformation was about who is allowed to interpret the Bible. The Protestants said that everyman should be able to interpret it for themselves and the Catholic Church said that only the Church should be allowed to do so. Remember we are only three years away from the Thirty Years War the high point, or should that be the low point, of the conflict between the two religions, which led to the destruction of most of central Europe and the death of between one and two thirds of its population.

Justus_Sustermans_-_Portrait_of_Galileo_Galilei,_1636

Justus Sustermans – Portrait of Galileo Galilei, 1636 Source: Wikimedia Commons

Galileo’s suggestion in his letter came to the attention of his opponents in the Church and led the Pope, Paul V, to set up a commission of eleven theologians, known as the Qualifiers, to investigate the propositions of heliocentricity.

In the meantime Paolo Antonio Foscarini (c. 1565–June 1616), a Carmelite father, attempted to publish his Epistle concerning the Pythagorean and Copernican opinion of the Mobility of the Earth and stability of the sun and the new system or constitution of the WORLD, which basically contained the same arguments for reinterpreting the Bible as Galileo’s Letter to Castelli. The censor of Foscarini’s order rejected his tract, as too contentious. I should point out at this point something that most people ignore that is all powers both civil and religious in Europe exercised censorship; there was no such thing as free thought or freedom of speech in seventeenth century Europe. Foscarini wrote a defence of his Epistle and sent the two pieces to Bellarmine, as the leading theologian, for his considered opinion. Bellarmine’s answers the so-called Foscarini Letter is legendary and I reproduce it in full below.

My Reverend Father,

I have read with interest the letter in Italian and the essay in Latin which your Paternity sent to me; I thank you for one and for the other and confess that they are all full of intelligence and erudition. You ask for my opinion, and so I shall give it to you, but very briefly, since now you have little time for reading and I for writing.

First I say that it seems to me that your Paternity and Mr. Galileo are proceeding prudently by limiting yourselves to speaking suppositionally and not absolutely, as I have always believed that Copernicus spoke. For there is no danger in saying that, by assuming the Earth moves and the sun stands still, one saves all of the appearances better than by postulating eccentrics and epicycles; and that is sufficient for the mathematician. However, it is different to want to affirm that in reality the sun is at the center of the world and only turns on itself, without moving from east to west, and the earth is in the third heaven and revolves with great speed around the sun; this is a very dangerous thing, likely not only to irritate all scholastic philosophers and theologians, but also to harm the Holy Faith by rendering Holy Scripture false. For Your Paternity has well shown many ways of interpreting Holy Scripture, but has not applied them to particular cases; without a doubt you would have encountered very great difficulties if you had wanted to interpret all those passages you yourself cited.

Second, I say that, as you know, the Council [of Trent] prohibits interpreting Scripture against the common consensus of the Holy Fathers; and if Your Paternity wants to read not only the Holy Fathers, but also the modern commentaries on Genesis, the Psalms, Ecclesiastes, and Joshua, you will find all agreeing in the literal interpretation that the sun is in heaven and turns around the earth with great speed, and that the earth is very far from heaven and sits motionless at the center of the world. Consider now, with your sense of prudence, whether the church can tolerate giving Scripture a meaning contrary to the Holy Fathers and to all the Greek and Latin commentators. Nor can one answer that this is not a matter of faith, since it is not a matter of faith “as regards the topic”, it is a matter of faith “as regards the speaker”; and so it would be heretical to say that Abraham did not have two children and Jacob twelve, as well as to say that Christ was not born of a virgin, because both are said by the Holy Spirit through the mouth of the prophets and the apostles.

 

Third, I say that if there were a true demonstration that the sun is at the center of the world and the earth in the third heaven, and that the sun does not circle the earth but the earth circles the sun, then one would have to proceed with great care in explaining the Scriptures that appear contrary; and say rather that we do not understand them than that what is demonstrated is false. But I will not believe that there is such a demonstration, until it is shown me. Nor is it the same to demonstrate that by supposing the sun to be at the center and the earth in heaven one can save the appearances, and to demonstrate that in truth the sun is at the center and the earth in the heaven; for I believe the first demonstration may be available, but I have very great doubts about the second, and in case of doubt one must not abandon the Holy Scripture as interpreted by the Holy Fathers. I add that the one who wrote, “The sun also riseth, and the sun goeth down, and hasteth to his place where he arose,” was Solomon, who not only spoke inspired by God, but was a man above all others wise and learned in the human sciences and in the knowledge of created things; he received all this wisdom from God; therefore it is not likely that he was affirming something that was contrary to truth already demonstrated or capable of being demonstrated. Now, suppose you say that Solomon speaks in accordance with appearances, since it seems to us that the sun moves (while the earth does so), just as to someone who moves away from the seashore on a ship it looks like the shore is moving, I shall answer that when someone moves away from the shore, although it appears to him that the shore is moving away from him, nevertheless he knows that it is an error and corrects it, seeing clearly that the ship moves and not the shore; but in regard to the sun and the earth, no wise man has any need to correct the error, since he clearly experiences that the earth stands still and that the eye is not in error when it judges that the it also is not in error when it judges that the stars move. And this is enough for now.

With this I greet dearly Your Paternity, and I pray to God to grant you all your wishes.

At home, 12 April 1615.

To Your Very Reverend Paternity.

As a Brother,

Cardinal Bellarmine

 

(Source for the English transl.: M. Finocchiaro, The Galileo Affair. A Documentary History (Berkeley, CA: University of California Press, 1989), pp. 67-69.Original Italian text, G. Galilei, Opere, edited by A. Favaro (Firenze: Giunti Barbera, 1968), vol. XII, pp. 171-172.)

A, in my opinion, brilliant piece of measured, diplomatic writing. Bellarmine tactfully suggests that one should only talk of heliocentricity hypothetically, its correct scientific status in 1615, the first empirical proof for the movement of the Earth was found in 1725, when Bradley discovered stellar aberration. He, as the great Tridentine theologian, then reiterates the Church’s position on the interpretation of Holy Scripture. Finally he brings, what is without doubt, the most interesting statement in the letter.

Third, I say that if there were a true demonstration that the sun is at the center of the world and the earth in the third heaven, and that the sun does not circle the earth but the earth circles the sun, then one would have to proceed with great care in explaining the Scriptures that appear contrary; and say rather that we do not understand them than that what is demonstrated is false.

What he says is bring proof and we’ll reinterpret the Bible but until then…

On 24 February the Qualifiers delivered the results of their deliberations on the heliocentricity hypothesis:

( i ) The sun is the centre of the universe (“mundi”) and absolutely

immobile in local motion.

( ii ) The earth is not the centre of the universe (“mundi”); it is not

immobile but turns on itself with a diurnal movement.

All unanimously censure the first proposition as “foolish, absurd in philosophy { i.e. scientifically untenable] and formally heretical on the grounds of expressly contradicting the statements of Holy Scripture in many places according to the proper meaning of the words, the common exposition and the understanding of the Holy Fathers and learned theologians”; the second proposition they unanimously censured as likewise “absurd in philosophy” and theologically “at least erroneous in faith”.

It should be pointed out that although the Qualifiers called the first statement heretical, only the Pope could formally declare something heretical and no pope ever did, so heliocentricity was never officially heretical.

Pope Paul V now ordered Bellarmine to covey the judgement of the Qualifiers to Galileo and to inform him that he may not hold or teach the heliocentric theory. This he did on 26 February 1616. Bellarmine was not one of the Qualifiers and here functioned only as the messenger. By all accounts the meetings between Bellarmine and Galileo were cordial and friendly.

When Galileo returned to Florence rumours started spreading that he had been forced to recant and do penance, which was of course not true. Galileo wrote to Bellarmine requesting a letter explaining that this was not true. Bellarmine gladly supplied said letter, defending Galileo’s honour. However Galileo made the mistake in 1633 of thinking that Bellarmine’s letter was a get out of jail free card.

Bellarmine died in 1621 and between 1616 and his death there was no further contact between the Cardinal and the mathematicus. Personally I can see nothing in the three interactions, indirect and direct, between Bellarmine and Galileo that would in anyway justify labelling Bellarmine as the “scourge of Galileo”. This accusation is historically highly inaccurate and paints a wholly false picture of the relationship between the two men. I expect better of Rob Iliffe, who is without doubt one on Britain’s best historians of seventeenth century science.

NB Before somebody pops up in the comments claiming that Robert Bellarmine was one of the three Inquisition judges, who confirmed the death sentence on Giordano Bruno. He was but that has no relevance to his interactions with Galileo, so save yourself time and energy and don’t bother.

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Exposing Galileo’s strawmanning

There is a widespread, highly erroneous, popular perception in the world, much loved by gnu atheists and supporters of scientism, that as soon as Petreius published Copernicus’s De Revolutionibus in 1543 the question as to which was the correct astronomical/cosmological system for the cosmos was as good as settled and that when Galileo published his Dialogo[1] everything was finally done and dusted and anybody who still persisted in opposing the acceptance of the heliocentric world view, did so purely on grounds of ignorant, anti-science, religious prejudice. Readers of this blog will know that I have expended a certain amount of energy and several thousand words over the years countering this totally mistaken interpretation of the history of astronomy in the early modern period and today I’m going to add even more words to the struggle.

Galileo is held up by his numerous acolytes as a man of great scientific virtue, who preached a gospel of empirical scientific truth in the face of the superstitious, faith based errors of his numerous detractors; he was a true martyr for science. The fact that Galileo was capable of scientific skulduggery does not occur to them, but not only was he capable of such, his work is littered with examples of it. One of his favourite tactics was not to present his opponents true views when criticising them but to create a strawman, claiming that this represents the views of his opponent and then to burn it down with his always-red-hot rhetorical flamethrower.

Towards the end of The First Day in the Dialogo, Galileo has Simplicio, the fall guy for geocentricity, introduce a “booklet of theses, which is full of novelties.” Salviati, who is the champion of heliocentricity and at the same time Galileo’s mouthpiece, ridicules this booklet as producing arguments full of “falsehoods and fallacies and contradictions” and as “thinking up, one by one, things that would be required to serve his purposes, instead of adjusting his purposes step by step to things as they are.” Galileo goes on to do a polemical hatchet job on what he claims are the main arguments in said “booklet of theses.” Amongst others he accuses the author of “setting himself up to refute another’s doctrine while remaining ignorant of the basic foundations upon which the whole structure are supported.”

The “booklet of theses”, which Galileo doesn’t name, is in fact the splendidly titled:

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English translation of the Latin title page Source: Notre Dame Press

Now most of the acolytes who fervently praise Galileo as the great defender of science against superstition probably have no idea who Johann Georg Locher was but they might well have heard of Christoph Scheiner, who was famously embroiled in a dispute with Galileo over the nature of sunspots and who first observed them with a telescope. In fact the authorship of the Mathematical Disquisitions has often falsely attributed to Scheiner and Galileo’s demolition of it seen as an extension of that dispute and it’s sequel in the pages of his Il Saggiatore.

Whereas Galileo’s Dialogo has been available to the general reader in a good English translation by Stillman Drake since 1953, anybody who wished to consult Locher’s Mathematical Disquisitions in order to check the veracity or lack thereof of Galileo’s account would have had to hunt down a 17th century Latin original in the rare books room of a specialist library. The playing field has now been levelled with the publication of an excellent modern English translation of Locher’s booklet by Renaissance Mathematicus friend, commentator and occasional guest contributor Chris Graney[2].

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Graney’s translation (Christopher M. Graney, Mathematical Disquisitions: The Booklet of Theses Immortalised by Galileo, University of Notre Dame Press, Notre Dame, Indiana, 2017)  presents a more than somewhat different picture of Locher’s views on astronomy to that served up by Galileo in the Dialogo and in fact gives us a very clear picture of the definitely rational arguments presented by the opponents to heliocentricity in the early part of the seventeenth century. The translation contains an excellent explanatory introduction by Graney, extensive endnotes explaining various technical aspects of Locher’s text and also some of the specific translation decisions of difficult terms. (I should point out that another Renaissance Mathematicus friend, Darin Hayton acted as translation consultant on this volume). There is an extensive bibliography of the works consulted for the explanatory notes and an excellent index.

The book is very nicely presented by Notre Dame Press, with fine reproductions of Locher’s wonderful original illustrations.

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Locher’s illustration to his discussion of diurnal rotation p. 32

Graney’s translation provides a great addition to his previous Setting Aside All Authority, which I reviewed here. Graney is doing sterling work in adjusting the very distorted view of the astronomical system discussion in the first half of the seventeenth century and anybody, who is seriously interested in learning the true facts of that discussion, should definitely read his latest contribution.

 

 

 

[1] By a strange cosmic coincidence the first printed copy of the Dialogo was presented to the dedicatee Ferdinando II d’Medici, Grand Duke of Tuscany 386 years ago today on 22 February 1632.

[2] At the end of my review of Setting Aside All Authority I wrote the following, which applies equally to this review; in this case I provided one of the cover blurbs for Chris’ latest book.

Disclosure; Chris Graney is not only a colleague, but he and his wife, Christina, are also personal friends of mine. Beyond that, Chris has written, at my request, several guest blogs here at the Renaissance Mathematicus, all of which were based on his research for the book. Even more relevant I was, purely by accident I hasten to add, one of those responsible for sending Chris off on the historical trail that led to him writing this book; a fact that is acknowledged on page xiv of the introduction. All of this, of course, disqualifies me as an impartial reviewer of this book but I’m going to review it anyway. Anybody who knows me, knows that I don’t pull punches and when the subject is history of science I don’t do favours for friends. If I thought Chris’ book was not up to par I might refrain from reviewing it and explain to him privately why. If I thought the book was truly bad I would warn him privately and still write a negative review to keep people from wasting their time with it. However, thankfully, none of this is the case, so I could with a clear conscience write the positive review you are reading. If you don’t trust my impartiality, fair enough, read somebody else’s review.

Addendum: The orthography of the neologism in the title was change—23,02,18— following a straw pole on Twitter

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Christmas Trilogy 2017: Bonus!

Yesterday was Johannes Kepler’s nominal birthday (as he was born before the calendar reform in a Protestant state his birthday on the Gregorian calendar would be 6 January!) and as in my wont, I posted a birthday post for the good Johannes. Of course I was far from being the only person to acknowledge his birthday and amongst many others somebody linked to the 2016 article on the website of the popular science magazine, Physics Today. Upon reading this brief tribute to my favourite seventeenth century polymath I cringed inwardly and didn’t know whether to let out a prolonged #histsigh or to turn loose the HistSci_Hulk; I have decided on the latter. Below the complete text of the offending document:

Born on 27 December 1571 in Weil der Stadt in the Holy Roman Empire, Johannes Kepler was an astronomer whose careful measurements led him to develop his three laws of planetary motion. He received a Lutheran education at the University of Tübingen and originally planned to be a theologian. Then one of his teachers gave him a copy of a book by Nicolaus Copernicus, sparking Kepler’s interest in astronomy. In 1600 Danish astronomer Tycho Brahe invited Kepler to Prague to help amass a precise set of astronomical measurements. Brahe died the following year, and Kepler inherited his mentor’s data and position as imperial mathematician to the Holy Roman emperor. In 1609 Kepler published Astronomia Nova, which included his first two laws of planetary motion; his third law was published in 1619. Kepler observed a supernova (though he called it a “new star”) and completed the detailed astronomical tables Brahe had been so determined to produce. Kepler also contributed research in optics and vision. Later in the century Isaac Newton would prove his law of universal gravitation by showing that it could produce Kepler’s orbits.

Born … in Weil der Stadt in the Holy Roman Empire… This contains something about which I have had bitter disputes on Wikipedia. There is a famous quip that the Holy Roman Empire was neither holy nor Roman nor an empire, it was also neither a country nor a state. The Holy Roman Empire was a loose feudal conglomeration of autonomous and semi-autonomous states. Weil der Stadt, Kepler’s birthplace was at the time of his birth in the autonomous Duchy of Württemberg.

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Map of the Duchy of Württemberg 1619 by Pieter van den Keere. You can see Weyl (Weil der Stadt) roughly in the middle. Source: Wikimedia Commons

…Johannes Kepler was an astronomer whose careful measurements led him to develop his three laws of planetary motion. Kepler was a theorist, who didn’t on the whole take measurements careful or otherwise. The measurements that he used to derive his three laws were, of course, made very carefully by Tycho Brahe.

Kepler did not originally plan to be a theologian. He was on an educational tack designed to produce Lutheran Protestant pastors and schoolteachers. He would have become a pastor but was appointed to a position as a maths teacher instead.

 

Then one of his teachers gave him a copy of a book by Nicolaus Copernicus, sparking Kepler’s interest in astronomy. One of Kepler’s professors in Tübingen was Michael Maestlin, who in his courses taught Copernican heliocentric astronomy alongside the then dominant geocentric astronomy. Kepler took this course and developed an interest in heliocentrism. It was Maestlin who recognised Kepler’s aptitude for mathematics and recommended that he be appointed to a teaching post rather than a village church.

In 1600 Danish astronomer Tycho Brahe invited Kepler to Prague to help amass a precise set of astronomical measurements. Tycho Brahe invited Kepler to Prague not to help amass a precise set of astronomical measurements but to use his mathematical skills to turn the already amassed measurements into calculated orbits, ephemerides etc.

Brahe died the following year, and Kepler inherited his mentor’s data and position as imperial mathematician to the Holy Roman emperor. Kepler didn’t inherit his mentor’s data, Tycho’s daughter Elizabeth and her husband Frans Gansned Genaamd Tengnagel van de Camp did. This caused Kepler no end of problems, as he needed that data to realise his vision of a heliocentric astronomy. After tough negotiations, Tengnagel allowed Kepler to use the data but only if his name was included as co-author on any books that Kepler published based on it; a condition that Kepler duly fulfilled. Given my own inabilities to spell or write grammatically I’m not usually a grammar fetishist but, as I’m putting the boot in, Imperial Mathematician is a title and should be written with capital letters as in the emperor in Holy Roman Emperor.

Kepler observed a supernova (though he called it a “new star”). Well yes, as the term supernova was only coined in 1931 Kepler could hardly have used it. However, the nova part of the name, which simple means new, comes from Kepler’s term Stellar Nova, his being the most recent supernova observed with the naked eye.

…and completed the detailed astronomical tables Brahe had been so determined to produce. Kepler didn’t just complete them he produced them single-handedly, calculating, writing, typesetting, printing, publishing and selling them. This was the task assigned to him by Tycho and to which he was official appointed by the Emperor Rudolph II.

Physics Today is a fairly major popular science magazine but it would appear that they don’t really care enough about the history of science to indulge in a modicum of fact checking.

 

 

 

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Christmas Trilogy 2017 Part 3: Kepler’s big book

Johannes Kepler was incredibly prolific, he published over eighty books and booklets over a very wide range of scientific and mathematical topics during his life. As far as he was concerned his magnum opus was his Ioannis Keppleri Harmonices mundi libri V (The Five Books of Johannes Kepler’s The Harmony of the World) published in 1619 some twenty years after he first conceived it. Today in popular #histsci it is almost always only mentioned for the fact that it contains the third of his laws of planetary motion, the harmonic law. However it contains much, much more of interest and in what follows I will attempt to give a brief sketch of what is in fact an extraordinary book.

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A brief glace at the description of the ‘five books’ thoughtfully provided by the author on the title page (1) would seem to present a mixed bag of topics apparently in some way connected by the word or concept harmonic. In order to understand what we are being presented with we have to go back to 1596 and Kepler’s first book Mysterium Cosmographicum (The Cosmographic Mystery). In this slim volume Kepler presents his answer to the question, why are there only six planets? His, to our eyes, surprising answer is that the spaces between the planets are defined by the regular so-called Platonic solids and as the are, and can only be, five of these there can only be six planets.

Using the data from the greatest and least distances between the planets in the Copernican system, Kepler’s theory produces an unexpectedly accurate fit. However the fit is not actually accurate enough and in 1598 Kepler began working on a subsidiary hypothesis to explain the inaccuracies. Unfortunately, the book that he had planned to bring out in 1599 got somewhat delayed by his other activities and obligations and didn’t appear until 1619 in the form of the Harmonice mundi.

The hypothesis that Kepler presents us with is a complex mix of ideas taken from Pythagoras, Plato, Euclid, Proclus and Ptolemaeus centred round the Pythagorean concept of the harmony of the spheres. Put very simply the theory developed by the Pythagoreans was that the seven planets (we are talking geocentric cosmology here) in their orbits form a musical scale than can, in some versions of the theory, only be heard by the enlightened members of the Pythagorean cult. This theory was developed out of the discovery that consonances (harmonious sounds) in music can be expressed in the ratio of simple whole numbers to each other (the octave for example is 1:2) and the Pythagorean belief that the integers are the building block of the cosmos.

This Pythagorean concept winds its way through European intellectual history, Ptolemaeus wrote a book on the subject, his Harmonice and it is the reason why music was one of the four disciplines of the mathematical quadrivium along with arithmetic, geometry and astronomy. Tycho Brahe designed his Uraniburg so that all the architectonic dimensions from the main walls to the window frames were in Pythagorean harmonic proportion to one another.

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Tycho Brahe’s Uraniborg Blaeus Atlas Maior 1663 Source: Wikimedia Commons

It is also the reason why Isaac Newton decided that there should be seven colours in the rainbow, to match the seven notes of the musical scale. David Gregory tells us that Newton thought that gravity was the strings upon which the harmony of the spheres was played.

In his Harmony Kepler develops a whole new theory of harmony in order to rescue his geometrical vision of the cosmos. Unlike the Pythagoreans and Ptolemaeus who saw consonance as expressed by arithmetical ratios Kepler opted for a geometrical theory of consonance. He argued that consonances could only be constructed by ratios between the number of sides of regular polygons that can be constructed with a ruler and compass. The explication of this takes up the whole of the first book. I’m not going to go into details but interestingly, as part of his rejection of the number seven in his harmonic scheme Kepler goes to great lengths to show that the heptagon construction given by Dürer in his Underweysung der Messung mit dem Zirckel und Richtscheyt is only an approximation and not an exact construction. This shows that Dürer’s book was still being read nearly a hundred years after it was originally published.

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In book two Kepler takes up Proclus’ theory that Euclid’s Elements builds systematically towards the construction of the five regular or Platonic solids, which are, in Plato’s philosophy, the elemental building blocks of the cosmos. Along the way in his investigation of the regular and semi-regular polyhedra Kepler delivers the first systematic study of the thirteen semi-regular Archimedean solids as well as discovering the first two star polyhedra. These important mathematical advances don’t seem to have interested Kepler, who is too involved in his revolutionary harmonic theory to notice. In the first two books Kepler displays an encyclopaedic knowledge of the mathematical literature.

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The third book is devoted to music theory proper and is Kepler’s contribution to a debate that was raging under music theorist, including Galileo’s father Vincenzo Galilei, about the intervals on the musical scale at the beginning of the seventeenth century. Galilei supported the so-called traditional Pythagorean intonation, whereas Kepler sided with Gioseffo Zarlino who favoured the ‘modern’ just intonation. Although of course Kepler justification for his stance where based on his geometrical arguments. Another later participant in this debate was Marin Mersenne.

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In the fourth book Kepler extends his new theory of harmony to, amongst other things, his astrology and his theory of the astrological aspects. Astrological aspects are when two or more planets are positioned on the zodiac or ecliptic at a significant angle to each other, for example 60° or 90°. In his Harmonice, Ptolemaeus, who in the Renaissance was regarded as the prime astrological authority, had already drawn a connection between musical theory and the astrological aspects; here Kepler replaces Ptolemaeus’ theory with his own, which sees the aspects are being derived directly from geometrical constructions. Interestingly Kepler, who had written and published quite extensively on astrology, rejected nearly the whole of traditional Greek astrology as humbug keeping only his theory of the astrological aspects as the only valid form of astrology. Kepler’s theory extended the number of influential aspects from the traditional five to twelve.

The fifth book brings all of the preceding material together in Kepler’s astronomical/cosmological harmonic theory. Kepler examines all of the mathematical aspects of the planetary orbits looking for ratios that fit with his definitions of the musical intervals. He finally has success with the angular velocities of the planets in their orbits at perihelion and aphelion. He then examines the relationships between the tones thus generated by the different planets, constructing musical scales in the process. What he in missing in all of this is a grand unifying concept and this lacuna if filled by his harmonic law, his third law of planetary motion, P12/P22=R13/R23.

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There is an appendix, which contains Kepler’s criticisms of part of Ptolemaeus’ Harmonice and Robert Fludd’s harmony theories. I blogged about the latter and the dispute that it triggered in an earlier post

With his book Kepler, who was a devoted Christian, was convinced that he had revealed the construction plan of his geometrical God’s cosmos. His grandiose theory became obsolete within less than fifty years of its publication, ironically pushed into obscurity by intellectual forces largely set into motion by Kepler in his Astronomia nova, his Epitome astronomiae Copernicanae and the Rudolphine Tables. All that has survived of his great project are his mathematical innovations in the first two books and the famous harmonic law. However if readers are prepared to put aside their modern perceptions and prejudices they can follow one of the great Renaissance minds on a fascinating intellectual journey into his vision of the cosmos.

(1) All of the illustration from the Harmonice mundi in this post are taken from the English translation The Harmy of the World by Johannes Kepler, Translated into English with an Introduction and Notes by E.J. Aston, A.M. Duncan and J.V. Field, American Philosophical Society, 1997

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