Abraham Ortelius (1527–1598) is justifiably famous for having produced the world’s first modern atlas, that is a bound, printed, uniform collection of maps, his Theatrum Orbis Terrarum. Ortelius was a wealthy businessman and paid for the publication of his Theatrum out of his own pocket, but he was not a printer and had to employ others to print it for him.
A man who printed, not the first 1570 editions, but the important expanded 1579 Latin edition, with its bibliography (Catalogus Auctorum), index (Index Tabularum), the maps with text on the back, followed by a register of place names in ancient times (Nomenclator), and who also played a major role in marketing the book, was Ortelius’ friend and colleague the Antwerp publisher, printer and bookseller Christophe Plantin (c. 1520–1589).
Plantin also published Ortelius’ Synonymia geographica (1578), his critical treatment of ancient geography, later republished in expanded form as Thesaurus geographicus (1587) and expanded once again in 1596, in which Ortelius first present his theory of continental drift.
Plantin’s was the leading publishing house in Europe in the second half of the sixteenth century, which over a period of 34 years issued 2,450 titles. Although much of Plantin’s work was of religious nature, as indeed most European publishers of the period, he also published many important academic works.
Before we look in more detail at Plantin’s life and work, we need to look at an aspect of his relationship with Ortelius, something which played an important role in both his private and business life. Both Christophe Plantin and Abraham Ortelius were members of a relatively small religious cult or sect the Famillia Caritatis (English: Family of Love), Dutch Huis der Leifde (English: House of Love), whose members were also known as Familists.
This secret sect was similar in many aspects to the Anabaptists and was founded and led by the prosperous merchant from Münster, Hendrik Niclaes (c. 1501–c. 1580). Niclaes was charged with heresy and imprisoned at the age of twenty-seven. About 1530 he moved to Amsterdam where his was once again imprisoned, this time on a charge of complicity in the Münster Rebellion of 1534–35. Around 1539 he felt himself called to found his Famillia Caritatis and in 1540 he moved to Emden, where he lived for the next twenty years and prospered as a businessman. He travelled much throughout the Netherlands, England and other countries combining his commercial and missionary activities. He is thought to have died around 1580 in Cologne where he was living at the time.
Niclaes wrote vast numbers of pamphlets and books outlining his religious views and I will only give a very brief outline of the main points here. Familists were basically quietists like the Quakers, who reject force and the carrying of weapons. Their ideal was a quite life of study, spiritualist piety, contemplation, withdrawn from the turmoil of the world around them. The sect was apocalyptic and believed in a rapidly approaching end of the world. Hendrik Niclaes saw his mission in instructing mankind in the principal dogma of love and charity. He believed he had been sent by God and signed all his published writings H. N. a Hillige Nature (Holy Creature). The apocalyptic element of their belief meant that adherents could live the life of honest, law abiding citizens even as members of religious communities because all religions and authorities would be irrelevant come the end of times. Niclaes managed to convert a surprisingly large group of successful and wealthy merchants and seems to have appealed to an intellectual cliental as well. Apart from Ortelius and Plantin, the great Dutch philologist, humanist and philosopher Justus Lipsius (1574–1606) was a member, as was Charles de l’Escluse (1526–1609), better known as Carolus Clusius, physician and the leading botanist in Europe in the second half of the sixteenth century. The humanist Andreas Masius (1514–1573) an early syriacist (one who studies Syriac, an Aramaic language) was a member, as was Benito Arias Monato (1527–1598) a Spanish orientalist. Emanuel van Meteren (1535–1612) a Flemish historian and nephew of Ortelius was probably also Familist. The noted Flemish miniature painter and illustrator, Joris Hoefnagel (1542–1601), was a member as was his father a successful diamond dealer. Last but by no means least Pieter Bruegel the Elder (c. 1525– 1569) was also a Familist. As we shall see the Family of Love and its members played a significant role in Plantin’s life and work.
Christophe Plantin was born in Saint-Avertin near Tours in France around 1520. He was apprenticed to Robert II Macé in Caen, Normandy from whom he learnt bookbinding and printing. In Caen he met and married Jeanne Rivière (c. 1521–1596) in around 1545.
They had five daughters, who survived Plantin and a son who died in infancy. Initially, they set up business in Paris but shortly before 1550 they moved to the city of Antwerp in the Spanish Netherlands, then one of Europe’s most important commercial centres. Plantin became a burgher of the city and a member of the Guild of St Luke, the guild of painter, sculptors, engravers and printers. He initially set up as a bookbinder and leather worker but in 1555 he set up his printing office, which was most probably initially financed by the Family of Love. There is some disagreement amongst the historians of the Family as to how much of Niclaes output of illegal religious writings Plantin printed. But there is agreement that he probably printed Niclaes’ major work, De Spiegel der Gerechtigheid (Mirror of Justice, around 1556). If not the house printer for the Family of Love, Plantin was certainly one of their printers.
The earliest book known to have been printed by Plantin was La Institutione di una fanciulla nata nobilmente, by Giovanni Michele Bruto, with a French translation in 1555, By 1570 the publishing house had grown to become the largest in Europe, printing and publishing a wide range of books, noted for their quality and in particular the high quality of their engravings. Ironically, in 1562 his presses and goods were impounded because his workmen had printed a heretical, not Familist, pamphlet. At the time Plantin was away on a business trip in Paris and he remained there for eighteen months until his name was cleared. When he returned to Antwerp local rich, Calvinist merchants helped him to re-establish his printing office. In 1567, he moved his business into a house in Hoogstraat, which he named De Gulden Passer (The Golden Compasses). He adopted a printer’s mark, which appeared on the title page of all his future publications, a pair of compasses encircled by his moto, Labore et Constantia (By Labour and Constancy).
Encouraged by King Philip II of Spain, Plantin produced his most famous publication the Biblia Polyglotta (The Polyglot Bible), for which Benito Arias Monato (1527–1598) came to Antwerp from Spain, as one of the editors. With parallel texts in Latin, Greek, Syriac, Aramaic and Hebrew the production took four years (1568–1572). The French type designer Claude Garamond (c. 1510–1561) cut the punches for the different type faces required for each of the languages. The project was incredibly expensive and Plantin had to mortgage his business to cover the production costs. The Bible was not a financial success, but it brought it desired reward when Philip appointed Plantin Architypographus Regii, with the exclusive privilege to print all Roman Catholic liturgical books for Philip’s empire.
In 1576, the Spanish troops burned and plundered Antwerp and Plantin was forced to pay a large bribe to protect his business. In the same year he established a branch of his printing office in Paris, which was managed by his daughter Magdalena (1557–1599) and her husband Gilles Beys (1540–1595). In 1578, Plantin was appointed official printer to the States General of the Netherlands. 1583, Antwerp now in decline, Plantin went to Leiden to establish a new branch of his business, leaving the house of The Golden Compasses under the management of his son-in-law, Jan Moretus (1543–1610), who had married his daughter Martine (1550–16126). Plantin was house publisher to Justus Lipsius, the most important Dutch humanist after Erasmus nearly all of whose books he printed and published. Lipsius even had his own office in the printing works, where he could work and also correct the proofs of his books. In Leiden when the university was looking for a printer Lipsius recommended Plantin, who was duly appointed official university printer. In 1585, he returned to Antwerp, leaving his business in Leiden in the hands of another son-in-law, Franciscus Raphelengius (1539–1597), who had married Margaretha Plantin (1547–1594). Plantin continued to work in Antwerp until his death in 1589.
After this very long introduction to the life and work of Christophe Plantin, we want to take a look at his activities as a printer/publisher of science. As we saw in the introduction he was closely associated with Abraham Ortelius, in fact their relationship began before Ortelius wrote his Theatrum. One of Ortelius’ business activities was that he worked as a map colourer, printed maps were still coloured by hand, and Plantin was one of the printers that he worked for. In cartography Plantin also published Lodovico Guicciardini’s (1521–1589) Descrittione di Lodovico Guicciardini patritio fiorentino di tutti i Paesi Bassi altrimenti detti Germania inferiore (Description of the Low Countries) (1567),
which included maps of the various Netherlands’ cities.
Plantin contributed, however, to the printing and publication of books in other branches of the sciences.
Plantin’s biggest contribution to the history of science was in botany. A combination of the invention of printing with movable type, the development of both printing with woodcut and engraving, as well as the invention of linear perspective and the development of naturalism in art led to production spectacular plant books and herbals in the Early Modern Period. By the second half of the sixteenth century the Netherlands had become a major centre for such publications. The big three botanical authors in the Netherlands were Carolus Clusius (1526–1609), Rembert Dodoens (1517–1585) and Matthaeus Loblius (1538–1616), who were all at one time clients of Plantin.
Matthaeus Loblius was a physician and botanist, who worked extensively in both England and the Netherlands.
His Stirpium aduersaria noua… (A new notebook of plants) was originally published in London in 1571, but a much-extended edition, Plantarum seu stirpium historia…, with 1, 486 engravings in two volumes was printed and published by Plantin in 1576. In 1581 Plantin also published his Dutch herbal, Kruydtboek oft beschrÿuinghe van allerleye ghewassen….
There is also an anonymous Stirpium seu Plantarum Icones (images of plants) published by Plantin in 1581, with a second edition in 1591, that has been attributed to Loblius but is now thought to have been together by Plantin himself from his extensive stock of plant engravings.
Carolus Clusius also a physician and botanist was the leading scientific horticulturist of the period, who stood in contact with other botanist literally all over the worlds, exchanging information, seeds, dried plants and even living ones.
His first publication, not however by Plantin, was a translation into French of Dodoens’ herbal of which more in a minute. This was followed by a Latin translation from the Portuguese of Garcia de Orta’s Colóquios dos simples e Drogas da India, Aromatum et simplicium aliquot medicamentorum apud Indios nascentium historia (1567) and a Latin translation from Spanish of Nicolás Monardes’ Historia medicinal delas cosas que se traen de nuestras Indias Occidentales que sirven al uso de la medicina, , De simplicibus medicamentis ex occidentali India delatis quorum in medicina usus est (1574), with a second edition (1579), both published by Plantin.His own Rariorum alioquot stirpium per Hispanias observatarum historia: libris duobus expressas (1576) and Rariorum aliquot stirpium, per Pannoniam, Austriam, & vicinas quasdam provincias observatarum historia, quatuor libris expressa … (1583) followed from Plantin’s presses. His Rariorum plantarum historia: quae accesserint, proxima pagina docebit (1601) was published by Plantin’s son-in-law Jan Moretus, who inherited the Antwerp printing house.
Our third physician-botanist, Rembert Dodoens, his first publication with Plantin was his Historia frumentorum, leguminum, palustrium et aquatilium herbarum acceorum, quae eo pertinent (1566) followed by the second Latin edition of his Purgantium aliarumque eo facientium, tam et radicum, convolvulorum ac deletariarum herbarum historiae libri IIII…. Accessit appendix variarum et quidem rarissimarum nonnullarum stirpium, ac florum quorumdam peregrinorum elegantissimorumque icones omnino novas nec antea editas, singulorumque breves descriptiones continens… (1576) as well as other medical books.
His most well known and important work was his herbal originally published in Dutch, his Cruydeboeck, translated into French by Clusius as already stated above.
Plantin published an extensively revised Latin edition Stirpium historiae pemptades sex sive libri XXXs in 1593.
This was largely plagiarised together with work from Loblius and Clusius by John Gerrard (c. 1545–1612)
in his English herbal, Great Herball Or Generall Historie of Plantes (1597), which despite being full of errors became a standard reference work in English.
Platin also published a successful edition of Juan Valverde de Amusco’s Historia de la composicion del cuerpo humano (1568), which had been first published in Rome in 1556. This was to a large extent a plagiarism of Vesalius’ De humani corporis fabrica (1543).
Another area where Platin made a publishing impact was with the works of the highly influential Dutch engineer, mathematician and physicist Simon Stevin (1548-1620). The Plantin printing office published almost 90% of Stevin’s work, eleven books altogether, including his introduction into Europe of decimal fractions De Thiende (1585),
his important physics book De Beghinselen der Weeghconst (The Principles of Statics, lit. The Principles of the Art of Weighing) (1586),
his Beghinselen des Waterwichts (Principles of hydrodynamics) (1586) and his book on navigation De Havenvinding (1599).
Following his death, the families of his sons-in-law continued the work of his various printing offices, Christophe Beys (1575–1647), the son of Magdalena and Gilles, continued the Paris branch of the business until he lost his status as a sworn printer in 1601. The family of Franciscus Raphelengius continued printing in Leiden for another two generations, until 1619. When Lipsius retired from the University of Leiden in 1590, Joseph Justus Scaliger (1540-1609) was invited to follow him at the university. He initially declined the offer but, in the end, when offered a position without obligations he accepted and moved to Leiden in 1593. It appears that the quality of the publications of the Plantin publishing office in Leiden helped him to make his decision. In 1685, a great-granddaughter of the last printer in the Raphelengius family married Jordaen Luchtmans (1652 –1708), who had founded the Brill publishing company in 1683.
The original publishing house in Antwerp survived the longest. Beginning with Jan it passed through the hands of twelve generations of the Moretus family down to Eduardus Josephus Hyacinthus Moretus (1804–1880), who printed the last book in 1866 before he sold the printing office to the City of Antwerp in 1876. Today the building with all of the companies records and equipment is the Museum Plantin-Moretus, the world’s most spectacular museum of printing.
There is one last fascinating fact thrown up by this monument to printing history. Lodewijk Elzevir (c. 1540–1617), who founded the House of Elzevir in Leiden in 1583, which published both Galileo’s Discorsi e dimostrazioni matematiche intorno a due nuove scienze in 1638 and Descartes’ Discours de la Méthode Pour bien conduire sa raison, et chercher la vérité dans les sciences in 1637, worked for Plantin as a bookbinder in the 1560s.
The House of Elzevir ceased publishing in 1712 and is not connected to Elsevier the modern publishing company, which was founded in 1880 and merely borrowed the name of their famous predecessor.
The Platntin-Moretus publishing house played a significant role in the intellectual history of Europe over many decades.